A rare bronze statue of the second-century Roman Emperor Hadrian, today part of the Museum's permanent exhibition, was cast in antiquity using the lost-wax technique, in which beeswax was employed when creating the model for the bronze portrait. This ancient method is echoed in the fascinating work of prominent Slovakian-born artist-designer Tomáš Libertíny, who creates wax sculptures with the help of honeybees. Libertíny sees himself as a conductor of a natural orchestra represented by bees. The artist steps away from the work’s production, allowing contemporary design and technology to combine with the collective intelligence of a bee colony. In conversations between the curators of design and archaeology, the two realized that Libertíny’s expertise could be used to recreate the ancient lost wax version of Hadrian's statue.
With the professional help of beekeeper Rafi Nir, Libertíny and the curators placed beehives in the Museum’s Art Garden. Inside were 3D-printed mesh models of the statue; internal cameras followed 100,000 bees while they built honeycombs on Hadrian's head. The reconstructed portrait affords a fresh look at a singular exhibit in the Museum’s archaeological display.
Hadrian’s honeycomb sculpture connects layers of historical knowledge with the Museum’s contemporary role, preserving the past while engaging with present-day social and environmental issues. The project promotes an eco-centric approach, not only as an ideology; in the Museum’s Art Garden, the beehives have become part of the landscape, a means of cultivating nature in an urban environment.
